When people, in general, think or speak most Cuban music, they mostly refer to the music generally known as Afro Cuban music. While it is true that Cuban music has a unshakable African element, on that point is a fundamental quirkiness between the two: the Cuban sound has a operose melodic element that comes from Spanish roots. A marriage of handed-down European music, Flamenco and Yoruba drums have given Cuban music the power to sweep the world. When the Spanish arrived in Cubanacan, as the primeval inhabitants called the Island, they found it populated by Tainos, Guanatabeyes and Sib mavinyes, people of Arawak spring who had emigrated from the Orinoco vicinity of present day Colombia and Venezuela. These people arrived on the Island about 900 A.D. and were realized throughout the Island. The Taino lived an agricultural lifestyle and spent there days hunt club and gathering . In the key portion of the island constantly creation pushed westward by the Tainos were s ome other Arawak people the Siboney a hunting and gathering tribe. Totally marginated to the Pinar del Rio field of operation on the westernmost trace of Cuba, lived the earliest arrivals in Cubanacan; the Guanatabeyes. The Spanish with their firearms and superior technology intimately conquered these tribes and tried to organize them in Encomiendas, large plantations dedicated to the cultivation of tobacco, coffee and sugar cane.
The Amerindians were not used to such saturated labour and did not line up well to the conditions of virtual slavery. The alike scourges that plagued most of the Americas, European diseases, greatly decimated their numbers. T! he Taino rose in insubordination against their new masters and were savagely put down. The harsh conditions of slavery, sum disease and repression, took their toll on the natives and in less than one hundred years, these people were just about extinct. By the late... If you want to get a full essay, say it on our website: OrderCustomPaper.com
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